Based on the Best Selling novel - now a stunning new play!

Martin Dodd for UK Productions and Derek Nicol & Paul Walden for Flying Entertainment proudly present the Nottingham Playhouse and Liverpool Everyman and Playhouse production of

Boy Boy

Previewing from 21st December

• Strictly limited season •


A Delfont Mackintosh Theatre




“Thought-Provoking, Poignant and Heartbreaking”

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“A poignant and touching West End play”

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“This is theatre at its solid best”

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“Costin and Turner lead the company in raw, honest and unspeakably beautiful work”

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“A fantastic way to start the new theatrical year”

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“Wonderfully poetic”

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“Matthew Spangler’s adaptation held the crowd spellbound”

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“A brilliant piece of work”

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“Aa Afghan epic to remember”

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“An extraordinary performance”

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“Exquisitely written and directed”

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“I urge everyone to see The Kite Runner”

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“Impeccably acted”

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“A must see this season”

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“You ABSOLUTELY MUST see The Kite Runner!”

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Ben Turner



Training: Guildhall School of Music and Drama.

Ben is probably best known as Casualty’s nurse Jay Faldren, which he played for three years ending in 2011. Other television roles include: The Coroner, DI Max Harper in WPC 56, Death in Paradise, Dr Who, The Bill, Love Soup and As If.

Theatre includes: Achilles in The Iliad (Royal Lyceum, Edinburgh), various in Maiden Voices From the Uprising (Royal Court), Amir in The Kite Runner (Nottingham Playhouse, Liverpool Playhouse and UK tour), Mobray/Salisbury in Richard II directed by Michael Grandage (Donmar Warehouse), Dov in Dov and Ali directed by Alex Sims (Theatre 503), Ralph Berger in Awake and Sing directed by Michael Attenborough (Almeida), Fourbin in Soldier’s Fortune directed by David Lan (Young Vic), Claudio/Dennis in Measure for Measure/Habeus Corpus directed by Peter Hall (UK tour), Robert in Outlying Islands directed by Loveday Ingram (Bath Theatre Royal), Sylvius in As You Like It directed by David Lan (Wyndam’s), Jack in Charley’s Aunt directed by Richard Beecham (Northcott Theatre), Naji in The Arab Israeli Cookbook directed by Tim Rosen (Gate), Lysander in A Midsummer Night’s Dream directed by Michael Grandage (Sheffield Crucible), Scipio in Caligula directed by Michael Grandage (Donmar Warehouse) and Lorenzo in The Merchant of Venice directed by Loveday Ingram (RSC regional tour).

Film includes: Six Days, 300: Rise of an Empire, The Fifth Estate, Adulthood and Syriana.

Andrei Costin



Andrei was born and raised in Romania.

Training: Birmingham School of Acting.

Theatre includes: The Kite Runner (Nottingham Playhouse/UK tour), Green Leaves Fall (Strictly Arts/Belgrade Theatre), Inkheart (HOME, Manchester), Haram Iran (Above the Stag Theatre), I’m Not Jesus Christ (Theatre N16), Whose Life Is It Anyway? (Frinton Summer Theatre), Handkerchief of Clouds and The Gas Heart (Immersive Theatre/Romanian Cultural Institute).

Film and television include: Doctors and Bleachy Doomsday. Andrei feels overjoyed and honoured to be making his West End debut at Wyndham’s, a theatre he can call home.

Antony Bunsee


General Taheri/Raymond Andrews

Training: Bristol Old Vic Theatre School and University of Exeter.

Theatre includes: Strife (Chichester Festival Theatre), Great Expectations (West Yorkshire Playhouse), The Kite Runner (Nottingham Playhouse and tour), The Miser, The Merchant of Venice, Dick Whittington (for Tara Arts), Homebody Kabul (Cheek by Jowl), A Passage to India (Shared Experience/Nottingham Playhouse), Paradise Lost (Northampton), Lidless (Edinburgh Fringe First) and Dracula (Derby). For the RSC: The Odyssey, Tamburlaine, The School of Night, Midnight’s Children and The Histories Company (2006–8).

Film includes: The Infiltrator, Get the Picture, Dorian Gray, Sex and the City 2 and Jadoo.

Television includes: Hieroglyph, Hollyoaks, My Family and EastEnders.

Radio includes: Westway, Tippu Sultan and various plays for the World Service.

David Ahmad

David Ahmad


Theatre includes: Dr Watson in The Game’s Afoot (Les Enfants Terribles & EBP), Lord Capulet/Friar Laurence in Romeo and Juliet (Orange Tree), Perseus in Eyecatcher (Sheffield Crucible), Kamal/ Zaman in The Kite Runner (Nottingham and Liverpool Playhouses), David in Potted Potter (Little Shubert Theater, New York/Melbourne International Comedy Festival), Potted Pirates (Pleasance, Edinburgh), Thomas in Ernest and the Pale Moon (Les Enfants Terribles), Davis in Sleeping Beauty (Colchester Mercury), Mr Shu Fu in The Good Soul of Szechuan and Klaus Heinrich in Fear and Misery in the Third Reich (both Watford Palace), Bob Cratchit in A Christmas Carol (TNT/ADGE), Charlie in Ideomotor (London Horror and Vaults Festivals), George in George’s Marvellous Medicine and Peter in Tom’s Midnight Garden (both Birmingham Stage Company), Jago in Jago’s Box (New Vic, Staffordshire) and Benvolio in Romeo and Juliet (Akademie der Kunst, Berlin).

Screen credits include: Apple Tree Yard (Kudos) and The Frank Skinner Show (Avalon).

Bhavin Bhatt



Training: De Montford University, BA (Hons) in Drama.

Theatre includes: Lucky Pawar in Bring on the Bollywood (Belgrade Theatre), Wali/Doctor in The Kite Runner (UK tour), Shailesh in Pereira’s Bakery at 76 Chapel Road (Curve Theatre).

Television includes: Murder in Suburbia, Spooks, Leicester Kicks and DFES – I Can Explain.

Dance includes: Voronia (Sadler’s Wells), Bollywood Showstoppers (O2 Arena), Strictly Come Dancing (BBC), Children in Need – The Big Dance (BBC), Dhamaka (O2 Arena) and Amaas (Curve Theatre).

Actor/dancer Bhavin Bhatt is delighted to reprise his role in The Kite Runner.

Emilio Doorgasingh



Theatre includes: The American Wife (Park Theatre), Boy (Almeida), Merchant of Vembley (Cockpit – nominated for Best Male Performance, OFFIES 2016), Romeo and Juliet, The Merry Wives of Windsor, The Wind in the Willows (Chester, Grosvenor Park), Dara (NT Lyttelton), The Kite Runner (Nottingham Playhouse/Liverpool Playhouse/Brighton Festival 2013 – UK tour 2014), Venice Preserved (Spectator’s Guild), Wanted! Robin Hood (Manchester Library Theatre), Arabian Nights (Manchester Library Theatre), Festa (Young Vic), Baghdad Wedding (Soho Theatre), Salt Meets Wound (Theatre 503), How Many Miles to Basra? (West Yorkshire Playhouse), Angels Among the Trees (Nottingham Playhouse), A Midsummer Night’s Dream (Harold Pinter Theatre and international tour), Rose Rage (Henry VI) (Haymarket Theatre Royal), Change of Heart (New End Theatre), Ramayana (NT Olivier), Dial ‘M’ for Murder (Frankfurt English Theatre), Twelfth Night, The Comedy of Errors and Henry V (Propeller Theatre Company – UK and international tours).

Film includes: RED2, Gangsters Gamblers Geezers, Awakened, Apostle Peter and the Last Supper, Camilla Through the Looking Glass, Pimp, Extraordinary Rendition and Kingdom of Heaven.

Television includes: Midsomer Murders, Unforgotten, The Royals, Game of Thrones, Case Histories 2, Come Follow Me, Doctors, Jo, 90210, EastEnders, Spooks, Silent Witness, 10 Days to War, Path to 9/11, Hannibal, Rebus, The Bill, Agatha Christie’s Marple, Agony, David – The Bible, Uncle Jack and Cleopatra’s Mummy.

Radio includes: Baghdad Wedding.

Ezra Faroque Khan



Training: Pantheatre (France), Roy Hart Voice Theatre (France), École Jacques Le Coq (France) and Song of the Goat (Poland).

Theatre includes: United Colours of FrustrAsian (Alchemy Festival), Storm (Moon Fool Theatre Company), The Kite Runner (Nottingham/Liverpool Playhouse), Macbeth (Song of the Goat/RSC), The Crucible (Song of the Goat/Poland), Marsyas Sings (Pantheatre/France), Lord of the Flies and Unsuitable Girls (Pilot Theatre Company), Twelfth Night (NT) and The Caucasian Chalk Circle (Complicite).

Film includes: Doctor Strange, Trespass Against Us, In Darkness, The Void, Misrule and No Place To Go.

Television includes: Three Girls, Inspector Rebus and Summer Solstice.

Ezra teaches movement, voice and theatre both nationally and internationally and is an accomplished martial artist too.

Alongside acting, he has also worked professionally as a movement director.

Hanif Khan


Tabla Player

Mumbai native and UK resident, Hanif Khan is in an ideal position to share classical Indian forms of music as well create new forms of music by lending his talent to the genre of ‘fusion’.

Hanif Khan’s musical career has taken an international route. He has performed in Europe, the Middle East and North America.

An accomplished classically trained Indian percussionist, he is a versatile performer and has accompanied acclaimed artists such as Hari Prashad Chaurasia, Ustad Fateh Ali Khan, Pandit Arvind Parikh, Ustad Nishad Khan, Ghulam Ali, Rona Majumdar, Ghulam Mustafa, El Massry Hussein and Rajan and Sajan Mishra, among others.

In London, Khan has performed at the Royal Albert Hall Elgar Rooms, Royal Festival Hall, the Royal Opera House, the School of Oriental and African Studies, the Nehru Centre, Queen Elizabeth Hall, Purcell Room and also at the Glastonbury, Womad and many international festivals.

Hanif Khan is the son of the renowned tabla player Ustad Hidayat Khan. He is a sought-after percussionist and performs with both Indian and European musicians. Khan collaborates regularly with European and British artists.

Hanif Khan was rewarded by the National Music Conservatory of the Noor Al-Hussein Foundation and the International Music Centre for his contribution to the international meeting on the promotion of the local music heritage in the age of globalisation.

Johndeep More



Training: Brunel University and The Royal Academy of Music (AHRB scholarship).

Theatre includes: Sajit in East is East (1st UK tour – ATG/Jamie Lloyd Productions), Saleem in East is East (Birmingham Repertory Theatre), BBC Proms at The Royal Albert Hall, Ajay in BollywoodLand, Love Never Dies (Spanish tour), Dandini in Cinderella (Theatre Royal, Windsor). Workshops include: Indian Boyfriend (Theatre Royal Stratford East), Wah! Wah! Wah! Girls (Sadler’s Wells/Theatre Royal Stratford East) and various workshops for the Birmingham Repertory Theatre.

Film includes: Blue Line, Internal and Bollywood Queen.

Television includes: finalist in Any Dream Will Do.

Radio includes: The Private Patient (BBC Radio 4), Ek Awaaz (BBC Asian Network) and quarter-finalist in BBC Radio 2’s Voice of Musical Theatre.

Lisa Zahra


Soraya/Mrs Nguyen

Training: The Royal Welsh College of Music and Drama.

Theatre includes: Fatimah in Before I Leave directed by Matthew Dunster (National Theatre Wales), Huseini in Umrao (Cockpit Theatre/Edinburgh Festival), Soraya in The Kite Runner (Nottingham and Liverpool Playhouses), Lavinia in Resurrection (Theatre Royal Bath), Subira in Behind the Screens (The Space Festival), Eli in The Iranian Feast (Farnham Maltings), Hermia in A Midsummer Night’s Dream (Torch Theatre and UK tour), Ayesha in Love at First Light (Chapter Arts), Juliet in Romeo and Juliet (Royal Court and QM2), Mrs Beynon in Under Milk Wood (Royal Court and QM2), Titania in A Midsummer Night’s Dream (WMC), Eli in The Voyage (Clwyd Theatr Cymru), Riva in Warrior Square (Theatr lolo), Feroza in Katy Clay (New Vic), Imogen in Cymbeline and Jessica in The Merchant of Venice (Wales Theatre Company – winner of Best Newcomer Award) and Nurse Flynn in One Flew Over the Cuckoo’s Nest (Torch Theatre).

Film and television include: Twelfth Night, 50 Ways to Kill Your Lover, Skellig, Dr Who, Belonging, Myths of Ancient Greece, Caerdydd and Nuts n Bolts. Lisa can be seen playing Maria in a feature film of Twelfth Night with the Interactive Shakespeare Company, soon to be released.

Radio includes: Torchwood, Fall to Earth, BBC Bitesize Science and Matti and the Blue Bottle.

Natasha Karp



Training: Mountview Academy of Theatre Arts. She also achieved a BA (Hons) in Philosophy from the University of Nottingham, and subsequently trained as a chartered accountant.

Theatre includes: Company and understudied all female roles in Into the Woods (Menier Chocolate Factory), Dormouse/Duchess/Rabbit’s Housekeeper in Alice in Wonderland (Gordon Craig Theatre, Stevenage), Alysha/Heather in American Idiot (Arts Theatre), OCD Girl in The Theory of Relativity (Drayton Arms), featured ensemble/dance captain in The Grand Tour (Finborough), Nazirah in The Road to Qatar (Aria Entertainment), Jeanette in 3 Composers, 3 Countries (Relative Motion), The Canterbury Tales (Worcester Rep Company) and Girl in Market Boy (The Lost Theatre Co).

For further information, please visit

Nicholas Karimi



Training: Rose Bruford.

Theatre includes: Any Means Necessary (Nottingham Playhouse), The Hairy Ape (Old Vic), Everyman and An Oak Tree (NT), Lardo (Old Red Lion), Titus Andronicus (Shakespeare’s Globe), The Kite Runner (Nottingham/Liverpool Playhouses and UK tour), The Magic Flute (Complicite), Damascus Aleppo (Oran Mor/Traverse/National Theatre of Scotland), Game of Life (Yard Theatre), Outward Bound (Finborough), The Double (Ustinov, Theatre Royal Bath), The Fear of Breathing (Finborough), War Horse (NT in the West End), I Was A Beautiful Day (Finborough), Macbeth (NT), Nova Scotia and The Pearlfisher (both Traverse Theatre), Mother Courage and Her Children (Benchtours), The Dead Fiddler (New End) and Mountain Language (BAC).

Film includes: Billy Boys, Mr Stitch and Double Trouble (shorts).

Nicholas Kahn


Rahim Khan/Dr Schneider/Omar Faisil

Theatre includes: Love n Stuff (Theatre Royal Stratford East), Dara and The Beaux’ Stratagem (NT), The Kite Runner (Nottingham Playhouse and UK tour), Aladdin (Bournemouth Pavilion), Nur Du (Pina Bausch – Barbican), A Few Man Fridays (Riverside Studios), The Resistible Rise of Arturo Ui (Liverpool Playhouse), Macbeth and Romeo and Juliet (Shakespeare’s Globe and Middle East tour), Mincemeat (Cardboard Citizens), Meet the Mukherjees (Bolton Octagon), Ramayana (Lyric Hammersmith), Gaddafi (ENO, Coliseum), Mirror for Princes (Bite Festival – Barbican and world tour), Who’s Afraid of the Big Bad Book (Soho Theatre), A Passage to India (Shared Experience), Messiah (Steven Berkoff Company – European tour), The Lion, the Witch and the Wardrobe, The Winter’s Tale, Romeo and Juliet, The Comedy of Errors and Henry V (RSC), Arabian Nights (Young Vic), Animal Crackers (Royal Exchange), Maa! (Royal Court) and Alice Through the Looking Glass (London Bubble).

Film includes: Transformers 5: The Last Knight, NT Live: The Beaux’ Stratagem, Exodus: Gods and Kings, Man-Up, The Library of Secrets, The Blue Tower and Star Wars – The Phantom Menace.

Television includes: Doctors, Guilt, Gigglebiz, 24: Live Another Day, Justin’s House, The Fades, Outnumbered, Get Out Alive: Hijack on Flight 73, Spooks, Law & Order UK, Trial & Retribution, Holby City, Genie in the House series 1 & 2, The English Harem, Family Affairs, Gory Greek Gods, EastEnders, The Genius of Mozart and Casualty.





In 1985 Giles was appointed as artistic director of the Gate Theatre, London. In 1989 Giles joined the National Theatre as Literary Manager before becoming Artistic Director of the Palace Theatre, Watford in May 1995. Giles has been the Artistic Director of Nottingham Playhouse since 1999. His most recent productions include: Sleuth, The Glass Menagerie, Any Means Necessary, Tony’s Last Tape, Forever Young, Arcadia, The Second Minute, Charlie Peace: His Amazing Life and Astounding Legend and Of Mice and Men.

Giles is also a playwright and his work has been produced widely in the UK and Europe. He has a new play opening in Glasgow in the spring of 2017.



Barney began his career as a model maker and set dresser in film and television. His credits include: Star Wars, The Mummy, The Da Vinci Code and Tim Burton’s Sweeney Todd: the Demon Barber of Fleet Street.

He began designing for theatre in 2002 and designed the original production of The Kite Runner at Nottingham Playhouse and its subsequent UK tour.

Other theatre includes: Sleuth, Charlie Peace, His Amazing Life and Astounding Legend and Diary of a Football Nobody (Nottingham Playhouse), Talking Heads, The Worm Collector, Jack and the Beanstalk, The Count of Monte Cristo, Mela and Full of Noises (West Yorkshire Playhouse), The Life and Times of Mitchell and Kenyon – nomination for Manchester Theatre Awards Best Design Award – and The Hobbit – UK Theatre Award Winner of Best Show for Children and Young People (Dukes Theatre, Lancaster), Solace of the Road, The Odyssey and Kes (Derby), Blue/Orange, See How They Run and Whatever Next! (Theatre Royal, York), The Mist in the Mirror adapted from the novel by Susan Hill (Oldham Coliseum), The Frozen Scream directed by Olivier award-winning writer and performer Christopher Green and co-written by the novelist Sarah Waters (Wales Millennium Centre and Birmingham Hippodrome), Tiny Heroes (Daniel Bye and Sarah Punshon), Beep (Northern Bullits), The Enough Project (Dep Arts), Emergency Story Penguin, They Only Come at Night: Resurrection and Mapping the City (Slung Low), Thrive (Zest Theatre), Broken Time (Three Stones Media), Stig of the Dump and Treasure Island (Mind the Gap), The Woods (Jane Packman Company), Flit (Edinburgh International Festival), Remote (Camden People’s Theatre), Body Faded Blue (National Theatre of Cyprus), Hanuman the Superhero Monkey (Singapore Repertory Theatre) and the rock ‘n’ roll pantomimes Beauty and the Beast, The Sword in the Stone and, for Christmas 2016, Sinbad (Wolsey Theatre, Ipswich).



Lighting Designer

Recent credits include: The Seven Acts of Mercy, The Alchemist, A Midsummer Night’s Dream: Play for the Nation, Queen Anne (RSC), Ma Rainey’s Black Bottom (NT), The Suppliant Women (ATC/Edinburgh Lyceum), Torn (Royal Court), Hydrargyrum (Rambert Dance) and I Call My Brothers (Gate).

Other theatre includes: Richard III, Mojo, Posh, Through the Leaves (West End), The River (Broadway), Hecuba, The Christmas Truce, I’ll Be the Devil (RSC), Minetti (Edinburgh International Festival), The Events (ATC/Young Vic/New York), The River, Choir Boy, Chicken Soup With Barley, Now or Later, The Ugly One (Royal Court), Ah Wilderness, Dirty Butterfly, The Beauty Queen of Leenane, The Girlfriend Experience (Young Vic), The Accrington Pals, Orlando, To Kill a Mockingbird (Manchester Royal Exchange), Oh, What a Lovely War!, Look Back in Anger, The Borrowers (Northern Stage), Flint Street Nativity, The Tempest (Liverpool Playhouse), The Duchess of Malfi, Hedda Gabler (West Yorkshire Playhouse) and Angels in America (Headlong). Dance includes: 35 works for Richard Alston Dance Company (Sadler’s Wells and worldwide), Red Balloon, Magical Night (Aletta Collins/ROH2), Bloom, Labyrinth of Love (Rambert), Eden/Eden (Wayne McGregor/Stuttgart and San Francisco Ballets), Run for It (Scottish Ballet/Cultural Olympiad) and Four Seasons (Oliver Hindle/Birmingham Royal Ballet).

Music includes: La Bianca Notte (Hamburg Opera), OperaShots, La Voix Humaine (Royal Opera House), Carmen, Werther and Saul (Opera North). Charles won the 2013 Knight of Illumination Award (Drama) for The River, the 2013 TMA UK Theatre Best Design Award for The Accrington Pals and the Best Lighting Award 2014 for Richard III.



Projection Designer

William Simpson is a filmmaker and video designer whose work appears on the stage, screen and in exhibition.

His video design, projection credits and work has appeared in shows such as Rocky Das Musical (Stuttgart, Stage Entertainment), Darkness Darkness (Nottingham Playhouse), Derren Brown – Miracle (UK tour), Theatre of Illumination (Light Night, Leeds), Chitty Chitty Bang Bang (compositing and aerial filming) (West Yorkshire Playhouse), Rapunzel Rock ‘n Roll Panto (Liverpool Everyman), Freefall (Unit 23), Kes (Cast, Doncaster), Guantanamo Boy (Brolly/ Half Moon Theatre), Richard III and Charlie Peace (Nottingham Playhouse), Up and Down (GaGa Theatre), Treasure Island (Mind the Gap), The Noise (Unlimited Theatre), Kes (Derby Theatre), the original and European stage premiere of The Kite Runner (Nottingham Playhouse and UK tour), Diary of a Football Nobody (Nottingham Playhouse), the award-winning adaptation of Of Mice and Men by Mike Kenny (Mind the Gap), Clockwork (NT), Ragtime (LAOS), Mapping the City (Slunglow), The Mamba (West Yorkshire Playhouse) and Piano Circus – Trilogies (Kings Place).

Directing and film work includes: the award winning Soldiering On, Jump the Fire – Melt Yourself Down, Anish Kapoor Flashback, Born Survivor, It’s Not Over Yet – Middleman, Talking Transformations, Instructions for Films and Lear Settings.



Composer & Musical Director

Theatre credits include: The Jew of Malta, Anya, The American Pilot and White Out (all Royal Shakespeare Company), Sleuth, The Kite Runner, Charlie Peace and Families of Lockerbie (Nottingham Playhouse), Margaret Catchpole (Eastern Angles), Three Wheels (Birmingham REP/ ACE), Flight of Hope (People Show), Dreaming (BSA) and Nine Lives (Leeds Studio).

Jonathan won a Royal Television Society Award with Losing It (Channel 4), with other commissions including Gogmagog (English National Opera), Lights Out (New York Arts), Grimm Tales (City of Birmingham Symphony Orchestra, BBC Radio 3), Flight to the Ford (CBSO), It’s Not a Game and The Long Lost Son (Evelyn Glennie), Black Heart and A Little Madness (BBC Singers), and O Rex Gentium (Ex Cathedra), winning national awards with The Ice Palace. His music is broadcast and played worldwide through Audio Network. Jonathan has achieved a first class honours in music (BA), and was awarded a doctorate in musical composition in 2006. He’s lectured and taught all over the world, and worked with groups such as the CBSO, ENO, Brodsky Quartet, Ensemble Bash and Kokuma African Dance Company in learning and participation projects throughout the UK. Jonathan is delighted to be bringing The Kite Giles Croft for a sixth time. Other current projects include Macbeth (director: Justin Audibert) at the National Theatre, reworking Anya (RSC) for puppet-theatre, and working with choreographers Anita Gonzalez and Joel Valentín-Martínez on Living Lakes in the United States.



Sound Designer

Drew trained at Bristol Old Vic Theatre School and was subsequently part of the Lighting and Sound Department at Nottingham Playhouse where he started designing for in-house productions. In 2014 he left to become a freelance sound designer.

Drew has designed extensively with Nottingham Playhouse on shows including: Time and the Conways, Of Mice and Men, Richard III, My Judy Garland Life, The Importance of Being Earnest, Forever Young and Grandpa in My Pocket:Teamwork. Also, The Threepenny Opera in collaboration with Graeae Theatre Company. Other sound designs include: Sweet Charity and Trevor Nunn’s production of A Midsummer Night’s Dream (New Wolsey Theatre, Ipswich), Workshop Negative (Gate Theatre), Mary Shelley (Shared Experience), Sleeping Beauty (Cast, Doncaster), The Dissidents (Tricycle), The Crossing (Tangle), Darkness Darkness, Unforgettable (New Perspectives), Jack and the Beanstalk (Theatre Royal, Bury St Edmunds), The Wiz, Seance on a Sunday Afternoon, Empty Bed Blues, Smile (Lakeside Arts) and the 2015 UK tour of Miss Nightingale the Musical.



Movement Director

Kitty Winter is a movement director, choreographer and director, she trained at Laban and on the MA Movement course at the Central School of Speech and Drama.

Recent movement credits include: Cinderella, A Christmas Carol and The Rise and Fall of Little Voice (Derby Theatre), Here I Belong (Pentabus Theatre), Blood (Tamasha/Belgrade Theatre Coventry), Tom’s Midnight Garden, Rapunzel and Jack (Nottingham Playhouse), Tiny Treasures and The Night Pirates (Theatre Hullabaloo), The Dog House, Women on the Verge of HRT and Puss in Boots (Derby LIVE), The Magical Playroom (Seabright Productions/Pleasance, Edinburgh), Roots (Mercury Theatre, Colchester), Ghandi and Coconuts (Kali Theatre/Arcola), Dick Turpin’s Last Ride (Theatre Royal, Bury St Edmunds) and Squid (Theatre Royal Stratford East).

Recent directing credits include: Feet First and Car Story (Box Clever Theatre), Spinning Yarns and FIVE (Theatre Hullabaloo/Theatre Direct, Canada), The Blue Moon (Wriggle Dance Theatre), Anything to Declare? (The Gramophones) Whose Shoes? (Nottingham Playhouse) and Awaking Durga (Kali Theatre/Soho Theatre). Kitty is Co-Artistic Director of family theatre company WinterWalker, and has recently produced and directed Three Keepers (UK tour), Come to the Circus (Déda, Derby), and The Beast of Belper (Belper Arts Festival). You can find out more about her work at



Fight Director

Philip is on the Equity Register of Fight Directors, and the examining staff of the BASSC. He teaches for RADA.

Recent theatre includes: Ariodante (Teatro Campoamor), Julius Caesar, I’ll Be the Devil (RSC), Der Rosenkavalier, LaScala Di Seta, Cosi Fan Tutte (JPYAP), Veneziana, L’Isola Disabitata, Der Rosenkavalier (ROH), L’Isola Disabitata (ROH international tour), Simon Boccanegra, La Traviata (re-cast), Faust, Ariodante (ENO), L’Olimpiade (Garsington Opera), Andrea Chenier, Stiffelio (Holland Park Opera), Mahabharata, Carrie’s War (Sadler’s Wells), Dedication, Noises Off (Nuffield, Southampton), Dial M for Murder (UK tour), King Lear (Northern Broadsides), Cat On a Hot Tin Roof (Theatre Clwyd), Noises Off (Royal Court, Liverpool), The Ladykillers (Hull Truck), The Mysteries, God of Soho, Henry IV Parts 1 & 2, A Midsummer Night’s Dream, Macbeth, A New World, Othello (Shakespeare’s Globe), Sleuth, Noises Off, The Duchess of Malfi, A Skull in Connemara, Time and the Conways, Aladdin, The Kite Runner, Robin Hood and the Babes (Nottingham Playhouse), Saturday Night, Sunday Morning, Dial M for Murder, A View From the Bridge, The Grapes of Wrath, King David, Man of Blood, Tango, Romeo and Juliet, Lonesome West, IPH, Journey’s End, Julius Caesar, Coriolanus, Aladdin (Mercury Theatre, Colchester), Gaslight, Kiss Me Quickstep, Robin Hood and Marian, The Widowing of Mrs Holroyd, Far From the Madding Crowd, The Rivals, Hamlet, Bleak House, Humble Boy (New Vic, Stoke), As You Like It, The Comedy of Errors, Stig of the Dump, Macbeth, Othello, Cyrano de Bergerac, Romeo and Juliet, The Wind in the Willows, The Merry Wives of Windsor, The Two Gentlemen of Verona, A Midsummer Night’s Dream, Twelfth Night, Merlin and the Woods of Time, Masters Are You Mad? (Storyhouse Chester), Swimming With Sharks (Vaudeville), Macbeth (Hampton Court Palace), Gaslight, To Sir With Love, The Talented Mr Ripley, Humble Boy (Royal Theatre, Northampton), The Djinns of Eidgah, Piano/Forte, Sugar Mummies (Royal Court), Seven Brides for Seven Brothers (Theatre Royal Haymarket), King Lear, Breakfast With Mugabe (Theatre Royal, Bath), Corrie! (international tour), Carrie’s War (Apollo), Romeo and Juliet (Theatre Royal, Bury St Edmunds), Death and the Maiden, Arsenic and Old Lace, What the Butler Saw, People at Sea, The Herbal Bed, Robin Hood, Shadowlands, Sleeping Beauty, Playing for Time, To Kill a Mockingbird, Cinderella, Jamaica Inn, Jack and the Beanstalk, Aladdin, The Hired Man (Salisbury Playhouse), Oleanna, Romeo and Juliet, Twelfth Night, Lord of the Flies, Looking for JJ, Hobson’s Choice (York Theatre Royal), Treasure Island, As You Like It, The Wind in the Willows, Macbeth, Henry V, Antony and Cleopatra, Dr Faustus, Rapunzel, Twelfth Night, Robin Hood, Macbeth, The Snow Queen, As You Like It, The Comedy of Errors (Creation Theatre), Dial M for Murder (West Yorkshire Playhouse), Robin Hood (The Theatre, Chipping Norton), The Taming of the Shrew, King Lear, Canterbury Tales, Twelfth Night, Henry V, As You Like It, Macbeth, Richard III, Hamlet, Romeo and Juliet, The Two Gentlemen of Verona, As You Like It (Guildford Shakespeare Co), Peter Pan, Cinderella (SECC, Glasgow and Venue Cymru), Jack and the Beanstalk (Theatre Royal, Plymouth), Bad Jazz (Drum Theatre, Plymouth), Aladdin (King’s Theatre, Edinburgh), Dial M for Murder, Suddenly At Home, Macbeth, Deadly Murder, Romy & Julian, Deadly Nightcap (Vienna’s English Theatre), The Widowing of Mrs Holroyd, The Conquering Hero, The Conspirators, The Making of Moo, The Company Man, Nan, The Tinker’s Wedding, Adam Bede (Orange Tree Theatre), Dracula (Open Book Theatre), Honest (Theatre 6), Stone Cold Murder (Vienna’s English Theatre and Mill at Sonning Theatre), Peter Pan (High Wycombe Swan), Jack & the Beanstalk (Swansea Grand Theatre), Robin Hood, Merlin (The Dukes, Lancaster), Dick Whittington, Peter Pan (Orchard Theatre, Dartford), Corrie! (international tour), Jack & the Beanstalk (Lyceum Theatre, Crewe), Carthage (Finborough), Peter Pan (Cliff’s Pavilion, Southend), Hamlet (USA tour), Peter Pan (Buxton Opera House), Soul Man (Steven Joseph Theatre, Scarborough), Cool Hand Luke (Aldwych), Aladdin (New Theatre, Hull), Twelfth Night (cruise ship tour), Misery (Ashcroft Theatre, Croydon), Smash (Menier Chocolate Factory), Snake in the Grass (The Print Room) and Corrie! (UK tour).

Film includes: King Arthur, Pan, The Knife That Killed Me and Dark Signal.





Producer Martin Dodd’s career has encompassed performance, theatre management and large-scale outdoor event production as well as promoting and producing all of UK Productions’ shows and events since its inception. UK Productions was formed in 1995 to produce musicals and pantomimes, for which it is now one of the country’s most prolific producers.

West End credits include: Seven Brides for Seven Brothers (Theatre Royal, Haymarket). Other producing credits for national and international tours include: The Kite Runner (2014), 42nd Street (1997, 1999, 2000, 2007, 2012), Oklahoma! (2010), Singin’ in the Rain (2009), Disney’s Beauty and the Beast (2005–2010), South Pacific (2007/8), Seven Brides for Seven Brothers (2001/2, 2005/6, 2008/9), Jekyll and Hyde – The Musical (2004/5), Carousel (2003/4 and 2000), Fiddler on the Roof (2008, 2003), Murdered to Death (2002), Anything Goes (2001), The Pirates of Penzance (1998/9) and Barnum (1995/6). Other tours include: three original dance shows starring Wayne Sleep – World of Classical Ballet, Aspects of Dance and Ready Steady Dance (also starring Melanie Stace), and concert tours with Petula Clarke (1997/8) and Dave Willetts (2004).

During Christmas of 2016/17 they will produce ten pantomimes. The Theatre Royal Bath, Grand Theatre Blackpool, Anvil Basingstoke, Pavilion Theatre Bournemouth, Festival Theatre Malvern, Palace Theatre Mansfield, Floral Pavilion, New Brighton, Pavilion Theatre Rhyl, Empire Theatre Sunderland, and the Assembly Hall Theatre Tunbridge Wells will all receive the UK Productions treatment of all-star casts in traditional shows backed by lavish sets and costumes.

Upcoming productions include: a national tour of Legally Blonde the Musical starring Rita Simons during 2017/18, as well as their regular children’s shows starring television favourites including Chris & Pui and Dick & Dom.

UK Productions also operates a busy production hire business utilising its extensive stores of musicals, pantomimes and play sets and costumes.

It hires out part and full productions to professional and amateur companies across the UK and internationally as well as designing and making sets, props and costumes to order.




Entertaining the nation for over 30 years, Flying Music and Flying Entertainment have produced numerous nationwide tours and have presented a wide variety of artists including Stevie Wonder, Van Morrison, Ray Charles, Little Richard, Dionne Warwick, Glen Campbell, the Four Tops and more.

Their long-running show, The Solid Silver 60s Show – commonly referred to as a British institution – celebrates its 32nd anniversary in 2017. This winning formula has been adapted to produce The Solid Gold Rock ‘n’ Roll Show, its American counterpart The All American Solid Gold Rock ‘n’ Roll Show and Maximum Rhythm ‘n’ Blues all of which continue to enjoy regular touring and national success. An innovative approach to creating brands has seen them move into the world of theatre. Original shows created by the company include Hollywood and Broadway, The Magic of the Musicals, Salute to Sinatra, Dancing in the Streets which ran for two years in London’s West End and the Olivier Award nominated Rat Pack that enjoyed a three-and-a half-year non-stop run in London, notching up over 1000 performances. The show continues to tour throughout Europe, USA and Canada.

Flying Entertainment joined forces with SJM to present the European premiere of Green Day’s hit Broadway musical American Idiot. The 10-week UK tour opened to standing ovations and rave reviews – rock fans and regular theatregoers stood side by side at this innovative musical that brought the two genres together. In partnership with Canadian producers Annerin, Flying Entertainment took the music of The Beatles back to its home in Liverpool in 2015 when they re-opened the famous Royal Court Theatre with the global smash hit Let it Be, a celebration of the music of The Beatles. A nationwide tour followed.

Thriller Live, the concert spectacular celebrating the career of Michael and the Jackson 5, resides in the West Endat the Lyric Theatre on Shaftesbury Avenue playing to packed houses, rave reviews and standing ovations.

Now a mainstay in London’s West End, Thriller Live is soon to celebrate its ninth birthday and has played to over five million people worldwide.

December 2016 sees the West End premiere of TheKite Runner, co-produced with UK Productions and based on Khaled Hosseini’s international bestselling novel. This powerful production opens at Wyndham’s Theatre for a strictly limited season.

Future productions include brand new musical comedy Adam & Eve…and Steve.



Originating Producer

Nottingham Playhouse has been one of the UK’s leading producing theatres since its foundation in 1948. It welcomes over 110,000 customers through its doors each year and creates productions large and small from timeless classics and enthralling family shows to adventurous new commissions, often touring work nationally and internationally.

Notable productions include 1984 – three runs in the West End and currently on tour in Australia; Any Means Necessary, a new play about undercover policing; Tony’s Last Tape which toured nationally this year; and a forthcoming revival of Touched starring BAFTA winning actress Vicky McClure and Aisling Loftus.

Supported by Nottingham City Council and the Arts Council England.

Artistic Director: Giles Croft

Chief Executive: Stephanie Sirr

Artistic Director Designate: Adam Penford


Originating Producer

We are two distinct theatres, almost a mile apart, which together make up a single artistic force.

For over 10 years we have been driven by our passion for our art form, our love of our city and our unswerving belief that theatre at its best can enhance lives. While our two performance bases could hardly be more different, they are united by our commitment to brilliant, humane, forward thinking theatre that responds to its time and place.

Our mission is to reflect the aspirations and concerns of our audiences, to dazzle and inspire them, welcome and connect with them, nurture the artists within them and fuel their civic pride. Wherever these connections happen – whether in our theatres, in the community, in schools, or outside Liverpool – we hope to ignite the imagination, explore what it is to be human and always to exceed expectation.

From 2017 a resident acting company returns to the Everyman. The Company will comprise 14 actors, a team of three designers and in-house directors Gemma Bodinetz, Nick Bagnall and Matt Rutter. The theatre will become a place of change and diversity that welcomes people from all backgrounds to enhance and develop their skills. From February to July they will perform Fiddler on the Roof, The Conquest of the South Pole, The Story Giant, The Sum and Romeo and Juliet.

To find out more about the Liverpool Everyman & Playhouse work, both on and off stage, call 0151 709 4776, visit or follow @LivEveryPlay on Twitter.

Supported by Liverpool City Council and the Arts Council England.

Artistic Director: Gemma Bodinetz

Executive Director: Deborah Aydon

Associate Director: Nick Bagnall



For general Information: | For press enquiries please contact Kevin Wilson.